J. Saul Kane's ode to the Brazilian soccer star finds him dropping Romario related dialogue over an onslaught of rugged beats and tin-pan percussion. "The Son of Rio Mix" adopts a darker approach by way of distorted drum arrangements and sinister washes of sound. Taking proceedings well into extra time, the "Rio Percussion Unit Mix" rounds off the match with a street festival of percussion propelled by a low frequency b-line. Once again, Mr. Kane shoots and scores.
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